How you see the Gillette ad is like how you see Ferris Bueller. Kind of.

I love an online furore, me.

Have you see the new Gillette advert? Boys will be boys? It’s been hard to miss.

After all the campaigns empowering our mothers, sisters, and daughters – from This girl can to Like a girl to Blood normal us chaps finally have our own bonafide ‘purpose’ campaign.

Except this one is for Gillette and the other campaigns were for um…bodyform? I dunno.

But let’s leave aside whether purpose based campaigns are worthwhile for now. In Healthcare we take a brands purpose as a given, improving lives, saving lives, but in consumer it’s still a point of contention.

Either way, Gillette has 50% of the razor market, which ordinarily would make this kind of decision – to get stuck in to a political arena – unthinkable, because why risk that massive brand leadership position to virtue signal?

Which makes their decision all the more brave, stupid or smart, depending on whether you see the ad as half full or half empty.

Because whether you identify with the men being ‘corrected’ or the men doing the ‘correcting’ determines how you see the film.

If you don’t see how identifying with characters makes a difference to your interpretation (of anything) try watching a favourite film from your youth, thirty years later. When I first saw it I, like you I dare say, thought Ferris Bueller was the coolest kid ever. Thirty years on and all I can feel is the horror of a father whose precious Ferrari is trashed by some spoilt kids who aren’t taking their education seriously.

I was first made aware of this new Gillette campaign over my porridge when an incensed Piers Morgan had a tantrum on ITV, here on UK breakfast TV.

It’s my own fault, but BBC breakfast is quite the snore-fest.

Of course, Piers spectacularly missed the point of the commercial and thought it was about not being masculine. He was in the glass half empty camp and only saw men being corrected. How very dare they.

In terms of identifying, make of that what you will.

Because Piers (and quite a lot of other online-people too apparently) clearly thinks evolving from a pre #metoo male in to any kind of aware human being means being all weedy and not beating up softy types and not being able to pinch girls bottoms, catcall and mansplain all over the place.

Clearly some of his favourite things to do and a definitive mark of a man* (*Old Spice strapline 1970’s BTW)

I quickly started scanning twitter responses. The anger was pretty substantial, it must be said.

“I will never use Gillette products again!”

“it’s an attack on manhood and masculinity”

Were just some of the comments I’ve made up, but accurately sum up the reaction.

But does that mean it was universally hated?

Have you been on twitter recently? As someone in my office pointed out, the kind of people who get incensed about this kind of thing all live on Twitter and the comment section of Youtube.

So is there a silent majority who would actually champion this kind of brave and purpose driven marketing – or at least the message at its heart – but who just don’t tend to bother shouting in to the internet’s infinite void about it?

Maybe.

Going online this morning (the day after) and the tide seems to have changed. The supporters have come out in force. Yesterday it was 10 attackers to every 1 defender in terms of thumbs up or down on Youtube. This morning it’s down to 2:1.

Not a knock out punch but a definite bounce back. (assuming there’s not been any shenanigans with the numbers)

So, call me controversial, but I want to show Gillette some love.

They’ve taken a sensitive issue and been brave enough to nail their colours to its mast. Good for them. What better brand to do this?

And what better time?

Three years ago this campaign would have been unthinkable. Today it’s controversial, in twenty years time it will seem quaint.

I mean think of how far we’ve come since the 50s.

Advertising has always reflected our society. Always made semi political statements, even without knowing. After all, there was a time when these ads were perfectly acceptable and seen as funny even.

When brands realised they were out of step, they changed. Perhaps this is what Piers thinks appeals to real men and mourns these campaigns?

I doubt it.

Okay, the Gillette ad is a little cheesy for my British palette, it looks a little like the agency presented the mood reel for the strategy and the client pointed at the screen and said let’s run it!

And I found parts of it a little patronising. Plus I wish it had been handled with a lighter touch. It is quite a blunt instrument with no nuance or subtlety.

But I must admit I identified with the men trying to do the right thing more than the men who weren’t.

But it wasn’t always so.

In my youth I’m not sure I was as aware of what I said and did as I am today, more through ignorance than malice. Age, experience and this whole movement has made some of us question our actions, but more importantly see what we hadn’t seen before.

Maybe I won’t comment on what she’s wearing. Maybe I won’t make a dick joke. Maybe I will listen more and not interrupt.

Most men try to do the right thing. But also most men are a product of their upbringing.

I grew up in the seventies, when it really was a man’s world, admen were men, clients were men, and so were the women (to paraphrase an 80’s Leagas Delaney Timberland ad). Today’s young men have the benefit of a somewhat more balanced media world and have been exposed to opinions and messages that emanate from a more diverse range of voices.

The seventies and eighties style Gillette ad, glossy women fawning over square-jawboned men would simply not resonate with our sons today. They’re as outdated as those 50s print ads.

And literally nobody ever talked about Gillette ads back then. They were sometimes parodied or spoofed, but as advertising campaigns they were like toilet roll or cat food, just something glossy to reassure you they worked well enough.

Now suddenly Gillette is relevant. Topical and has purpose.

Suddenly it’s the number one trending topic on Twitter.

As any adman will tell you, getting noticed is the first and most important thing any ad has to do. Without that, everything else is meaningless.

So are the predictions of brand suicide without merit?

Mark Ritson in Marketing week:

“…But in Gillette’s case there is a bigger price to pay. There is a special place in marketing hell for companies that not only waste their marketing budgets but actually invest that money into things that ultimately make their situation much worse. That’s going to be the cost of this foray into brand purpose for Gillette.

It has spent its own money to make its still excellent commercial situation indelibly less positive at a time when it can ill afford the misstep, given the many alternatives vying for its sales. And for that we should stand back and appreciate what might turn out to be the worst marketing move of the whole year.”

It’s an interesting article and I can see his point, but I for one will be renewing my purchase of their blades. They work well enough, so what’s not to like?

We’ll see how Gillette sales do over the coming weeks and months.

But bear in mind this:

People always hate change, when Heineken famously dropped doing beer campaigns with ‘busty barmaids’ ( a phrase that’s all but died out it’s just occurred to me) their research groups were up in arms. Heineken refreshes the parts that other beers cannot reach??? what a load of bollocks, they said, bring back our barmaids!

And yet, it became one of the greatest ad campaigns of all time – at least in the UK.

So, if the Gillette ad makes someone think twice before saying or acting inappropriately and link that action back to the brand, then all well and good.

And so what that it’s a mere razor brand who is doing that. Their brand relies on ‘The best a man can get’ and if that meaning has to change from adoring women and fast cars to a higher standard of behaviour, then that’s moving positively with the times.

And I suspect that the customer base that Mark Ritson worries will desert Gillette on point of principle will un-ruffle their feathers soon enough when they realise that not being an asshole is actually an ok thing to be.

Apart from Piers Morgan obviously.

 

 

 

 

 

 

 

 

 

 

 

Pharma’s invisibility cloak.

In the Harry Potter books, why we ‘muggles’ don’t see all the weird magical stuff happening around us is explained in one simple line.

‘Muggles see what they want to see.’

A similar myopia seems to pervade consumer advertising and Healthcare advertising.

Maybe I’m being sensitive.

Apparently, there were actually two whole categories at Cannes that happened the same week as the rest of Cannes, had work exhibited in the same basement as the rest of Cannes and actual agencies won golds and silvers and agency of the year awards and……noooooobody noticed.

You had to go through a door in an invisible wall to a strange alleyway, apparently.

How do I know this?

Well, in this month’s Campaign – the leading advertising publication in the UK – an article by the ‘Global editor-in-chief’, no less, Claire Beale, in a piece supposed to soothe our bruised English national pride after the world cup, and get us all fired up about the creative talent on our shores, pretty much confirmed it.

In the article she rightfully championed every achievement by our consumer cousins at Cannes. (It is comforting to know we were still good at something even if the football didn’t work out how we thought.) heaping praise on the awesome achievements of Adam&Eve DDB among other notable agencies.

But somehow we had our invisibility cloaks in full working order and there wasn’t a mention of any successes in the Health and Wellness or Pharma categories for some reason.

I think I’m definitely being sensitive.

But it’s not like she didn’t have her chance at inclusion:

“And UK agencies are strong across the whole bench, not just scoring in the traditional positions, such as Film, but taking gold (and above) Lions in Glass, Sustainable Development Goals, Titanium, Creative Data, Direct, Media, PR, Social and Influencer, Film Craft, Creative Ecommerce and Entertainment.”

Um…not quite the whole bench there Claire is it.

An English agency, Havas Lynx, won Healthcare agency of the year, you might not have noticed.

They even handed out a statue and everything

 

I’m almost certain that I am probably just being a touch sensitive.

It’s weird because a lot of the big agency networks are scrambling to get involved in the healthcare space. It’s where a lot of the exciting work is happening. They even won in some of these categories.

But in some quarters our presence at Cannes is still like we have just been let in the back door to a teenage house party because our older sister was in with the cool older boys and said we could gatecrash if we stayed in the kitchen and didn’t talk to anyone and only drank cider.

We’re the fucking Inbetweeners.

But it’s not just the journos at Campaign. During the Cannes judging I bumped in to a well known advertising Creative Director, with whom I had a passing and tenuous association with, via an old friend, and we work in the same building. She has been in the business a good thirty years.

“Oh, what jury are you on?” she inquired after I introduced myself.

“Pharma”

“Oh? What’s that?” she said.

It wasn’t meant in a mean or derogatory way, I could tell she just had literally no idea. All she heard was “Spells and Potions”.

I am aware this just all sounds like chippy, a little whiny and a little bitchy. Why do I care what Campaign thinks, I ask myself?

I don’t really know, to be honest. It’s this damn over-sensitivity I guess.

But for too long we have been meek and mild about what we do, embarrassed even. Our history of regulations, small budgets and lack of creativity takes a long time to fade and as we know, perception always trails reality.

We are so busy flying around on broomsticks and casting spells on people and talking in backward snakey-talk that the rest of the world is quite happy not being involved.

They see what they want to see.

So whatever Campaign thinks or doesn’t think, it’s time to start being proud of the work, the craft, the ingenuity that we have in Pharmaland and to ditch the sensitivity. Or as Claire puts it “ditch the negativity and self-flagellation…UK Healthcare agencies are creative world champions”.

Ok, I added the healthcare part.

It may be that they just don’t ‘get’ our world, so it’s easier to put us in the cupboard under the stairs and tell us to keep quiet.

Perhaps we should invite them to a big school in a castle in Scotland?

You never know, they might be surprised at what a little magic can do.